Sinopse: Ópera Flotuante , By Marcelo Diego, Examines The Impact Of The European Lyrical Repertoire And European Lyrical Companies On The Literature Produced In The City Of Rio De Janeiro During The Second Reign. To This End, The Author Uses The Analysis Of Works By Machado De Assis, José De Alencar, Joaquim Manuel De Macedo And Martins Pena. Situated At The Intersection Of The Field Of Literary Studies And That Of Cultural History, The Book Takes The Form Of A Narrative, Which Chronologically Follows The Dynamics Between Lyrical Theater, Literature And Society, Within The Established Temporal And Spatial Framework And Over The Course Of Three Acts -- The Installation Of European Companies In Rio De Janeiro In The 1840s; The Consolidation And Internalization Of The Lyrical Circuit Of 1850-1860; The Heyday Of Opera In The Years 1870-1880 -- Each Of Them Consisting Of Two Scenes.-- Cantores De Arribação ; Todos Cantam A 'casta Diva', É Uma Epidemia! ; Cantava Em Casa, Ao Piano: 'ernani, Ernani, Involami...' -- Cidade Dos Pianos : Podia Dar-nos Este Pedaço De Bellini, Se Quisesse ; Temos Teatro Lírico? Não Temos Teatro Lírico? -- Teatro Do Mundo ; A Vida É Uma Ópera E Uma Grande Opera ; Cairão De Uma Vez O Burro E Verdi? Marcelo Diego. Originally Presented As The Author's Thesis (doctoral)--princeton University, 2018. Includes Bibliographical References (pages 305-320).
